by David Jenkins
The very-belated reformation of US boyband NSYNC is the central hook for this day-glo second sequel to the surprisingly beloved Trolls franchise.
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.
This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.
Helen Mirren dons heavy prosthetics as one-time Israeli prime minister Golda Mair in this drab geopolitical retelling of the 1973 Yom Kippur War.
This steamy and giddily uneven rural romance from Spanish filmmaker Isabel Coixet is almost saved by Laia Costa’s committed central performance.
This Greenland-set drama from Danish director Isabella Eklöf, about a husband and father dealing with the trauma of abuse, makes for oppressively grim and only occasionally revelatory viewing.
Reliable Belgian director Joachim Lafosse serves up more lurid scandal sheet fodder in this dismal tale of a wife and mother trying to sweep her husband’s vile transgressions under the rug.
Amiable American comedy of dented male egos in which Griffin Dunne’s recent divorcee accidentally crashes his son’s bachelor party.
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