by Anton Bitel
In 1983’s Suburbia and 1985’s The Boys Next Door, the Reagan era is a place of lay-offs, layabouts and general decay.
Yasuzô Masumura’s macabre masterpiece Blind Beast paints an unnerving portrait of an artist and his muse.
John Frankenheimer’s Prophecy sees Mother Nature exact revenge against a researcher couple in rural Maine.
A backwater preacher pushes his small congregation to its limits in this quasi-mystical Colombian parable.
Starring Linda Blair as a textbook final girl, Tom DeSimone’s 1981 Hell Night offers an effective blend of horrors old and new.
With its movie nerd hero, doting blonde heroine and shocking violence, this early ’90s cult classic is peak Tarantino.
Tezuka’s Barbara is a meta ode to the director’s late father, the ‘godfather’ of the Japanese graphic novel.
Marc Isaacs’ docu-fiction hybrid has fun subverting the sit-com format, but feels glib and exploitative.
Paul Verhoeven’s subversive 1992 film is a Hitchcockian thriller with the kink brought to the surface.
George A Romero’s long-lost public service announcement captures the inherent horrors of old age.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.