Contributions from Anton Bitel | Little White Lies

Contributor Anton Bitel

Review

Antlers

by Anton Bitel

A horned entity stalks Keri Russell’s school teacher in director Scott Cooper’s allegorical American horror story.

3
Anticipation
4
Enjoyment
4
In Retrospect
Interviews

Denis Villeneuve: ‘I’m obsessed by the idea that humans can evolve’

by Anton Bitel

Quebec’s modernist sci-fi maestro talks big screens and small gestures, and how he brought the arid world of Arrakis to life.
Home Ents

Discover the fear and disillusionment of this cabin fever horror

by Anton Bitel

Toshiaki Toyoda’s Monsters Club sees a Unabomber-like character wage a private war from a remote cabin in the woods.
Home Ents

Discover the monstrous spectacle of this meta exploitation movie

by Anton Bitel

Marco Ferreri’s controversial The Ape Woman is a deeply cynical portrayal of masculinity bestialised and femininity reified.
Home Ents

Why Johnny Guitar remains a superior subversive western

by Anton Bitel

With its progressive gender politics and liberal undertow, Nicholas Ray’s 1954 film was way ahead of its time.
Home Ents

How Penelope Spheeris captured the wild side of American youth culture

by Anton Bitel

In 1983’s Suburbia and 1985’s The Boys Next Door, the Reagan era is a place of lay-offs, layabouts and general decay.
Home Ents

Discover this surreal Japanese erotic horror about artistic obsession

by Anton Bitel

Yasuzô Masumura’s macabre masterpiece Blind Beast paints an unnerving portrait of an artist and his muse.
Home Ents

Discover the eco-horror of this eerily prescient creature feature

by Anton Bitel

John Frankenheimer’s Prophecy sees Mother Nature exact revenge against a researcher couple in rural Maine.
Review

Luz: The Flower of Evil

by Anton Bitel

A backwater preacher pushes his small congregation to its limits in this quasi-mystical Colombian parable.

3
Anticipation
4
Enjoyment
4
In Retrospect
Home Ents

Discover this cutting-edge, Gothic-inspired ’80s slasher

by Anton Bitel

Starring Linda Blair as a textbook final girl, Tom DeSimone’s 1981 Hell Night offers an effective blend of horrors old and new.

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