by Anton Bitel
Murderous teens, strange growths and television-haunting ghosts are on the bill in SXSW’s midnight movies slate.
Business as usual – albeit with a side of Big Apple – for the long-running meta-slasher franchise with enough sass to get it across the finish line.
Todd Solondz’s dark coming-of-ager sees an magnificent Heather Matarazzo play the ultimate awkward preteen in Dawn Wiener.
A woman who has worked hard to hide her past finds she can’t run from it forever in Nathaniel Martello-White’s assured debut.
George Armitage’s 1990 neo-noir starring Alec Baldwin and Jennifer Jason Leigh is a chaotic game of cat and mouse.
Two men snowed in at a remote cabin await the return of their boss in Andrey Paounov’s unique, existential horror.
A young couple reeling from a violent attack play host to strange house guests in Jon Wright’s Irish horror.
The horror director turns his attention to comedy and romance with his prequel version of The Munsters.
Elio Petri’s The Working Class Goes to Heaven remains a sobering portrait of life as a cog in the oppressive machine.
A young brother and sister face their worst fears in Kyle Edward Ball’s inventive microbudget horror.
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