by Anton Bitel
A grieving couple embark on a camping trip in writer/director Johannes Nyholm’s folkloric psychological horror.
Paul Leni’s 1928 chiller, starring Conrad Veidt as a grinning carnival performer, is one of the most important films of the late silent era.
With its camp aesthetic and winking humour, Mike Hodges’ swash-buckling space romp is undeniably a product of its time.
A Cornish caravan park provides the backdrop to a young woman’s sexual (re)awakening in Claire Oakley’s impressive debut.
The director’s 1997 film contains a sly parody of the capitalist ideals underpinning the American Dream.
Ricky Lau’s 1985 hit Mr Vampire deftly combines knockabout comedy, martial arts, monster horror and wacky dancing.
Sean S Cunningham’s The New Kids sees James Spader terrorise a group of upwardly-mobile youths.
After Midnight confirms co-directors Jeremy Gardner and Christian Stella as among most exciting talents working in American independent horror today.
Christian Duguay’s Screamers, starring RoboCop’s Peter Weller, was originally conceived back in 1981.
Yedidya Gorsetman’s 2018 film Empathy, Inc explores themes of identity, alterity and technophobia.
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