by Annie Berke
Rian Johnson’s “howcatchem” villain-of-the-week series sees Natasha Lyonne take on the mantel of an unconventional gumshoe with delightful results.
by Anton Bitel
Two men snowed in at a remote cabin await the return of their boss in Andrey Paounov’s unique, existential horror.
by Fatima Sheriff
A filmmaker sets out to document her best friend’s arranged marriage in Shekhar Kapur’s culture clash romantic comedy.
by Charles Bramesco
Adura Onashile’s debut Girl will open the fest, and Nida Manzoor’s Polite Society will close it out.
by Hannah Strong
Steven Spielberg weaves a tale about his childhood love of cinema and the relationship between his parents in this light but lovely mostly true story.
A young couple reeling from a violent attack play host to strange house guests in Jon Wright’s Irish horror.
All Quiet on the Western Front and the Banshees of Inisherin also came up big in this morning’s announcement.
by Marina Ashioti
Laura Poitras’ portrait of activist and artist Nan Goldin is a damning indictment of the US pharmaceutical industry and a touching look at a familial tragedy.
Based on Kristen Roupenian’s much-lauded 2017 short story, this twisted tale of gender politics is a major letdown in conception and execution.
Alexander Skarsgård has a pretty bad trip in this vacation nightmare from body horror wunderkind Brandon Cronenberg.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.