Inside the cinema hidden beneath a London pub | Little White Lies

Inside the cin­e­ma hid­den beneath a Lon­don pub

18 Apr 2025

Words by Lee Wakefield

Opulent theatre auditorium with red velvet curtains, tiered seating, and a large projection screen.
Opulent theatre auditorium with red velvet curtains, tiered seating, and a large projection screen.
Nes­tled beneath a local booz­er in Lewisham, there’s a lov­ing­ly restored, 86-seat cin­e­ma wait­ing to be discovered.

When Cat­ford Mews unex­pect­ed­ly shut its doors for good in late 2024, the bor­ough of Lewisham in south Lon­don was left with­out a sin­gle cin­e­ma in its near­ly 14-mile radius. Not only was the cin­e­ma itself lost but, with it, a bustling com­mu­ni­ty hub. While the clo­sure was a shock, the rea­son­ing was not; accord­ing to a 2023 sur­vey by the Inde­pen­dent Cin­e­ma Office, 45 per­cent of indie cin­e­mas were oper­at­ing at a loss, and Cat­ford Mews fell foul of an all too famil­iar trend.

Few read­ers will need to be remind­ed of the chal­lenges faced by UK cin­e­mas more broad­ly; numer­ous Odeon and Cineworld loca­tions across the coun­try have shut­tered, while in Lon­don even the West End’s beloved Prince Charles is fac­ing uncer­tain­ty. Recent data shows tick­et sales are up and hold­ing steady in 2025, but due to ris­ing run­ning costs and land­lord devel­op­ment plans, many of the build­ings them­selves that house cin­e­mas are under threat. Like many of our cul­tur­al meet­ing points, it would seem that every space, no mat­ter how cher­ished, is at risk.

With so much unease, it’s easy to for­get that there are still hid­den gems to be dis­cov­ered – some right beneath our noses (or pub floor­boards). An unchart­ed trip to Bellingham’s The Fel­low­ship Inn proves it.

In the base­ment of what appears to be a tra­di­tion­al, wood-pan­elled booz­er, is a room of explo­sive colour. In homage to its orig­i­nal 1920s décor, the 86-seat cin­e­ma screen is clad in vivid red vel­vet. With lav­ish drapes hang­ing from the ceil­ing and warm spot­lights flood­ing every cor­ner, it’s dif­fi­cult not to be remind­ed of a grand ball­room, lov­ing­ly restored and some­how untouched. Against the back­drop of the grey train sta­tion which looms next door, the cin­e­ma is like a mirage in a most unex­pect­ed place. Per­haps we should be giv­ing a sec­ond thought to what’s lurk­ing beneath our feet more often.

Jerome Toole, founder of film club Snack Cin­e­ma, was sim­i­lar­ly tak­en by the space upon dis­cov­er­ing it. I was thrilled to be intro­duced to The Fel­low­ship Inn,” he grins. It’s the ulti­mate pub-slash-cin­e­ma! A tra­di­tion­al and his­toric pub upstairs, and a plush, red vel­vet cin­e­ma down­stairs with sur­round sound and even cur­tains to draw back when the film starts – though I did for­get to do this for a minute at the begin­ning of the last screening.”

Red velvet seats in an elegant theatre with ornate ceiling and stage curtains.

That was for a recent show­ing of 2015’s Vic­to­ria, described by Jerome as a great film but a very tense and uncom­fort­able watch”, to coin­cide with its 10 year anniver­sary, and in col­lab­o­ra­tion with SE Film Club. Despite the dis­ori­en­tat­ing ride, the reac­tion to the majes­tic sur­round­ings was one of shared aston­ish­ment from attendees.

Not that it comes as much of a sur­prise to pub land­la­dy Lenia Christodoulou. It’s just a real­ly breath­tak­ing moment; show­ing peo­ple in to view the cin­e­ma for the first time is always thrilling as you’re antic­i­pat­ing their reactions.”

It hasn’t always been like this; The Fel­low­ship Inn has sur­vived a tur­bu­lent his­to­ry. Con­struct­ed in 1923 – 1924, the Grade II-list­ed estab­lish­ment boasts the illus­tri­ous hon­our of being the first pub to be built on a coun­cil estate in Lon­don. It gained noto­ri­ety in the 1960s due to per­for­mances by the likes of Fleet­wood Mac and the arrival of box­er Hen­ry Coop­er, who lived and trained there in the run up to his 1963 fight with Muhammed Ali. It’s unknown whether he used the cin­e­ma much.

By the ear­ly 2000s, the build­ing had fall­en into a state of dis­re­pair. A com­pre­hen­sive refur­bish­ment pro­gramme fol­lowed, with the cin­e­ma being renamed as the Belling­ham Film Palace. Some his­tor­i­cal ele­ments, such as orig­i­nal win­dows, pan­elling and Cooper’s per­son­al items, were preserved.

Lenia, who took over as the land­la­dy of the pub in ear­ly 2025, recog­nis­es the need to bal­ance nods to the past while also look­ing to the future. It’s real­ly impor­tant to us that we remain true to our local com­mu­ni­ty – the pub’s his­to­ry is a real­ly impor­tant part of the Belling­ham estate – but the area is con­stant­ly evolv­ing and it’s our duty to keep up with that.”

Wel­com­ing film clubs such as Snack Cin­e­ma feels like a step in the right direc­tion. Reflect­ing on the club’s gen­e­sis at some of south east London’s great pubs, Jerome is look­ing to deliv­er a more immer­sive expe­ri­ence – and The Fel­low­ship Inn is the per­fect back­drop. Start­ing at The Montpelier’s back room cin­e­ma was per­fect but I soon realised how impor­tant good sound is,” he says. That’s still the hard­est thing to get right and I think it’s the sound that deter­mines how engulfed you can be in the expe­ri­ence – how real it feels.”

I par­tic­u­lar­ly love music in film. Music has been a cen­tral pres­ence in most of the Snack Cin­e­ma films. Rock­ers, The Wick­er Man and The Adven­tures of Priscil­la, Queen of the Desert all have incred­i­ble in-sto­ry per­for­mances, and Vic­to­ria has a haunt­ing and beau­ti­ful orig­i­nal sound­track by Nils Frahm which, at times, takes over from the dia­logue, drown­ing it out.”

The unset­tling feel­ing that grips Vic­to­ria cer­tain­ly feels height­ened due to the inti­ma­cy of the sur­round­ings. To some, the loca­tion of where you con­sume a film may be unim­por­tant, but The Fel­low­ship Inn is proof that a cin­e­ma can leave an impres­sion as deep as what’s unfold­ing on the screen.

Despite its sub­se­quent restora­tion, the cin­e­ma is cur­rent­ly still only avail­able for pri­vate hire due to licens­ing con­straints. Behind the scenes, how­ev­er, work is being done to change that. Lenia tells me: The cin­e­ma is the next project on our hands; we hope to have show­ings for par­ents and babies, sil­ver screen­ings and fam­i­ly films, as well as cult clas­sics for the adults.”

As for Jerome, he’s already set his sights on the next film on the Snack Cin­e­ma slate, per­haps to take place at The Fel­low­ship Inn again. It’s one I’m real­ly excit­ed about – a film called Latcho Drom (Safe Pas­sage) by Tony Gatlif.” Fit­ting­ly, it seems the cinema’s days as a for­got­ten trea­sure are behind it. A future as bright as its red vel­vet uphol­stery beckons.

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