What led Bo Burnham back to the eighth grade? | Little White Lies

What led Bo Burn­ham back to the eighth grade?

21 Apr 2019

Words by Emily Maskell

Group of students working on a project, with a film camera in the foreground.
Group of students working on a project, with a film camera in the foreground.
Ahead of the release of his debut fea­ture, we chart the Amer­i­can writer/director’s unusu­al career path.

In 2006, when no one could have pre­dict­ed what YouTube would become, a 16-year-old Bo Burn­ham popped into frame to sing his first com­e­dy song for the inter­net. Hun­dreds of mil­lions of views lat­er, Burn­ham has made his debut fea­ture as a writer/​director, Eighth Grade.

Burnham’s career was cat­a­pult­ed by his YouTube com­e­dy songs, lead­ing to stand-up com­e­dy spe­cials, a poet­ry book and even a TV show. Yet Eighth Grade is the cul­mi­na­tion of Burnham’s ear­li­er work; his film pays homage to his inter­net roots, while intro­duc­ing him­self as a blos­som­ing film­mak­er. From the begin­ning, Burn­ham seemed inter­est­ed in the cul­ture of fame and the desire to be seen’. He cre­at­ed an MTV show about a kid who spends his col­lege funds on hir­ing a film crew to fol­low him around in the hope of gar­ner­ing celebri­ty status.

2013’s Zach Stone Is Gonna Be Famous was keen­ly self-aware in its mock­u­men­tary form. The satir­i­cal show poked fun at the rise of social celebri­ties, iron­ic giv­en that it was shown on MTV, a net­work renowned for its real­i­ty shows. Eighth Grade ben­e­fits from Burnham’s pri­or TV writ­ing, hon­ing his craft as a writer of young people’s per­son­al narratives.

Burnham’s abil­i­ty to write mean­ing­ful com­men­tary is also present in his song­writ­ing where he bal­ances humour with deep­er top­ics. On his album what.’, released along­side his com­e­dy spe­cial of the same title, the song Nerds’ explores social anx­i­ety from the per­spec­tive of out­cast stu­dents. The song direct­ly fore­shad­owed the con­text that Eighth Grade tack­les. Burnham’s film inti­mate­ly fol­lows Kay­la (Elsie Fish­er) as she expe­ri­ences tran­si­tion­ing into high school. The sim­i­lar cir­cum­stance is present in Nerds’ as Burn­ham sings, I got your back, kid,” prov­ing Burn­ham sym­pa­this­es with this spe­cif­ic time of uneasy change.

Eighth Grade also ties into Burnham’s 2013 poet­ry book Egghead: Or, You Can’t Sur­vive on Ideas Alone’. Burnham’s incred­i­bly obser­vant writ­ing style pro­vides the basis of sen­si­tive­ly depict­ing the life of a 13-year-old girl. This empa­thet­ic under­stand­ing can be traced to five years before Eighth Grade. In his poem Ashe­ly’ Burn­ham high­lights the influ­ence of pris­tine celebri­ty images on young peo­ple. Exem­pli­fied in the poem’s clos­ing line: Her whole room looked per­fect – except for the mir­ror.” This inter­est in the expe­ri­ence of young women is clear­ly impor­tant to Burn­ham with its promi­nence now in Eighth Grade.

The most recent com­e­dy spe­cial from Burn­ham, 2016’s Make Hap­py, is an artic­u­late pro­gres­sion from Burnham’s pre­vi­ous stand-up. The self-reflex­ive show picks apart the cul­ture of per­for­mance – a top­ic to which Burn­ham brings copi­ous amounts of humour. He speaks hon­est­ly about how social media makes him anx­ious, some­thing he goes on to human­ise with­in Eighth Grade. Kay­la is try­ing to find com­pa­ny in those around her, test­ing which ver­sion of her­self is most suc­cess­ful. It is no coin­ci­dence that Eighth Grade and Make Hap­py share a focus on this type of angst giv­en that Burn­ham has pre­vi­ous­ly spo­ken about his own mid-per­for­mance pan­ic attacks.

Make Hap­py con­cludes with an out­ward­ly unafraid Burn­ham rais­ing the house lights and talk­ing direct­ly to his audi­ence in his song Can’t Han­dle This.’ Burn­ham seam­less­ly tran­si­tions from how his hands are too big for Pringle cans to grap­pling with the idea of want­i­ng an audi­ence that loves him, but also hat­ing the very idea of that. This raw hon­esty is part of Burnham’s artis­tic voice, both as him­self on-stage and through Kay­la in Eighth Grade.

Burnham’s film marks a shift from show­cas­ing his per­sona to writ­ing for his char­ac­ters. Eighth Grade shares the self-reflex­ive the­mat­ic explo­ration that Burnham’s stand-up shows con­tain, but speak­ing through a thir­teen year old girl grants him a new crit­i­cal dis­tance. The sto­ry focus­es on some­one who has not gone viral, when con­ver­sa­tion is so often tai­lored about those who gain pop­u­lar­i­ty online.Eighth Grade presents some­one who is not being paid atten­tion to, yet con­tin­ues to express them­selves any­way. Kay­la makes YouTube videos, but unlike Burn­ham, she aver­ages two views per video. This earnest por­trait of a teenag­er is the result of a writer/​director who has tak­en the time to relate to this par­tic­u­lar outlook.

Despite Burnham’s new direc­tion, Eighth Grade tack­les the issues of pop­u­lar­i­ty and anx­i­ety through the same humour that Burnham’s ear­li­er work embod­ies. It’s still the same off­beat Burn­ham who gained a loy­al fan­base on YouTube, yet this feels like the begin­ning of a more excit­ing, intro­spec­tive chap­ter of his career.

You might like