A brave new film gives a voice to the families of… | Little White Lies

A brave new film gives a voice to the fam­i­lies of still­born babies

04 Nov 2016

Rocking horse, colourful floral pattern, cushions with text "Still loved"
Rocking horse, colourful floral pattern, cushions with text "Still loved"
Doc­u­men­tary Still Loved uncov­ers sto­ries of love, hope and courage.

Why is still­birth such a con­ver­sa­tion stop­per in a soci­ety that sees 7,000 babies born dead every day? That’s the ques­tion posed in a vital new fea­ture doc­u­men­tary called Still Loved, which inves­ti­gates the mea­gre sup­port sys­tem pro­vid­ed to the fam­i­lies affect­ed by this issue, giv­ing them a much-need­ed voice.

Three years in the mak­ing, the film begins with a can­dle-lit vig­il on Inter­na­tion­al Preg­nan­cy and Infant Loss Remem­brance Day com­mem­o­rat­ing these chil­dren, attend­ed by the par­ents and sib­lings who have expe­ri­enced the tragedy of still­birth. Com­pris­ing inter­views that expose the empti­ness and lone­li­ness that these par­ents felt fol­low­ing their heart­break­ing ordeals, direc­tor Deb­bie Howard seeks to off­set the deaf­en­ing silence that char­ac­teris­es their expe­ri­ences. By doing so, she reveals a shock­ing neg­li­gence of sup­port both pro­fes­sion­al­ly and per­son­al­ly over a top­ic stig­ma­tised by what the stiff upper-lip’s of this world dub embar­rass­ing emotionality.

Red high-top trainers with white laces.

Still Loved demon­strates that the phys­i­cal loss of a baby is not con­sid­ered in con­junc­tion with the men­tal sup­port these par­ents urgent­ly need in order to cope with the pass­ing of a child they’d cre­at­ed, devel­oped a rela­tion­ship with, and who had died in the hours it was antic­i­pat­ed that he or she would be wel­comed into the world. More than a lack of clo­sure, there is a dis­tinct lack of com­pas­sion for the unex­pect­ed and often sud­den news that their baby won’t sur­vive, even down to def­i­n­i­tions. One woman’s birth was signed off as an abor­tion, anoth­er as a still­birth when med­ical neg­li­gence was the true culprit.

Hope, how­ev­er, pre­vails, as it fol­lows the fam­i­lies in their recov­ery, doc­u­ment­ing the dif­fer­ent cop­ing mech­a­nisms they indi­vid­u­al­ly apply. One starts a char­i­ty, one chairs a char­i­ty, one refus­es to have anoth­er child. The process of mov­ing on is hard, but we wit­ness that too, as the fam­i­lies con­tin­ue to hon­our their offspring’s mem­o­ry. In a time of cel­e­brat­ing an excit­ing new hel­lo, still­birth is a poignant, shat­ter­ing good­bye, and Still Loved rights a wrong in edu­cat­ing audi­ences on the impor­tance of treat­ing the sub­ject with the action and com­pas­sion it deserves.

Still Loved is in cin­e­mas across the UK now. Vis­it stil​lloved​film​.com/​s​c​r​e​e​nings to find out where the film is show­ing near you.

You might like

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.