Adam Woodward reflects on the timeless appeal of George Armitage’s alt-rom-com from 1997.
Laying siege to Earth’s most beloved locations, this is Roland Emmerich’s most perfect replica of the disaster flicks of the 1970s.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
