by Sonya Vseliubska
Philosopher-provocateur Slavoj Žižek and director Sophie Fiennes bring their Pervert’s Guide trilogy to a sublime, dizzying close, turning cinema into a field guide for the apocalypse.
by Rafa Sales Ross
Victor di Marco and Márcio Picoli’s portrait of a queer and disabled sex worker asks interesting questions but underserves an intriguing premise.
by Miriam Balanescu
Louis Garrel’s charisma isn’t enough to make up for an overlaboured script in Nanni Moretti’s romantic comedy.
by Hannah Strong
A housemaid about to ascend her social class in postwar Denmark sees her hard-fought idyll threatened by the past in May el-Toukhy’s austere drama.
by Luke Hicks
Theo Rollason’s debut feature is a spirited, jubilant portrait of a filmmaking legend at the height of his powers.
Two couples from contrasting social classes brush up against each other in Lee Chang-dong’s relationship drama.
Robert Pattinson cleanses the world of an ancient evil in Lance Oppenheim’s take on the murky story of Chris Hansen and NBC’s To Catch A Predator.
Shinya Tsukamoto’s harrowing adaptation of Allen Nelson’s account of combat during the Vietnam War never quite manages to grapple with the specificity of his experience.
by Marshall Shaffer
Cédric Kahn employs a human-first approach to adolescent mental health in his effective drama.
Robert Greene presents an affectionate portrait of family life in a working class Missouri town.
Subscribe to LWLies Weekly
Want to keep up with all things film? Our free weekly newsletter drops every Friday, bringing you the latest film news, reviews and features, plus discounts and extras from Team LWLies.
