by Leila Latif
Werner Herzog peers into the Angolan highlands in search of colossal elephants, and ends up gently reflecting on the ghosts of human longing.
by Hannah Strong
Noah Baumbach’s new dramedy isn’t breaking new ground, but it’s a charming, wistful take on what lies beneath the myth of celebrity.
Yorgos Lanthimos’ stylish and sardonic take on the Korean sci-fi caper Save The Green Planet! defies the remake odds.
by Marshall Shaffer
Despite a compelling scenario, the characters in László Nemes’s third feature feel more like stand-ins for ideas than flesh-and-blood people.
by David Jenkins
Paolo Sorrentino’s latest tries to recapture the unruly political bite of his early films, with mixed results.
by Nathan Lewis
Festival chief Alberto Barbara has pulled out all the stops to deliver a star-spangled and mouth-watering set of titles.
Sarah Friedland’s feature debut is a stunning, sensory-forward portrait of a woman with dementia adapting to life in an assisted living facility.
by Rafa Sales Ross
Dea Kulumbegashvili’s stark Georgian drama follows an obstetrician who moonlights as an abortionist, as she is accused of interfering with her patients.
by Luke Hicks
Kevin Costner deftly keeps the wheels turning on his hyper ambitious four-part western saga, despite a lukewarm reception and scrapped release.
Dag Johan Haugerud’s exploration of human desire is a sadly all too sterile affair.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.