by Patrick Sproull
Between the firing of Melissa Barrera for supporting Palestine and a staunch refusal to innovate, the once-beloved horror series has reached new lows.
by Molly Lipson
Cal McMau’s visceral feature debut, set in a men’s prison, provides a useful lens for considering how pop culture informs our understanding of policing and justice.
by Billie Walker
Two decades on from the beginning of the MeToo movement, more and more filmmakers are choosing to explore the lasting impact of sexual violence rather than restage traumatic events.
by Miriam Balanescu
André is an Idiot is the latest in a line of refreshing films that tackle the taboo of death head-on.
by Blake Simons
Iron Lung has unexpectedly turned the box office upside down – what led a YouTube legend to take on Hollywood with his horror feature debut?
by Marshall Shaffer
Kubrickian echoes reverberate throughout the Greek filmmaker’s oeuvre. With Bugonia, those connections are shaped into a singular package that transcends the sum of its homages.
by Jadie Stillwell
Recent sci-fi works in film and television alike are articulating new relationships between contemporary technologies and grief.
by Gayle Sequeira
A spate of recent works are pondering the concept of replicating or separating oneself in response to our increasingly economically perilous world.
Despite the wealth of roles showcasing women over 40 this past year, some troubling stereotypes remain the same.
by Shaadi 'Iris' Ghorbani
A tendency in male-directed Iranian cinema to focus on violence against women leaves female audiences out in the cold.
by Hannah Strong
Founded by Emily Simmons, this new project aims to provide an inclusive resource about the past, present and future of disability on and off screen.
by Rehana Nurmahi
With the lead character of The Idea of You bearing a striking resemblance to Harry Styles, we take a look at the relatively recent history of Wattpad and fanfiction-based films taking over the box office.
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