by David Jenkins
A revitalising shot of pure entertainment from writer/director Martin McDonagh that also operates as a salty critique of modern US foreign policy.
Takashi Yamazaki’s quick turnaround sequel to 2023’s Godzilla Minus One replays the hits but with massively diminished returns.
by Hannah Strong
Peter Farrelly‘s dramatisation of Sly Stallone‘s journey to the big screen is carried by the strength of its central performance.
by Rafa Sales Ross
The directorial twosome known as Los Javis deliver a head-spinning, era-spanning ode to political liberty inspired by the writings of Federico García Lorca.
by Katherine McLaughlin
Ashley Walters’ directorial debut is a bruising portrait of masculinity behind bars, hampered by a frustrating screenplay.
by Leila Latif
Boots Riley’s riotous anti-capitalist caper is a technicolour fantasia brimming with scathing social commentary.
Léa Seydoux stars as a mother whose life unravels when her husband is arrested on suspicion of child abuse, in this frustratingly evasive drama.
Robert Pattinson cleanses the world of an ancient evil in Lance Oppenheim’s take on the murky story of Chris Hansen and NBC’s To Catch A Predator.
Hanna Bergholm maternal folk horror avoids logic and credibility at every turn as it tells of a couple’s attempts to nurture a nightmare child.
Olivia Colman finds her romantic ideal in Alexander Skarsgård’s literal wicker man in Alex Huston Fischer and Eleanor Wilson’s entertaining, saucy fable.
Paweł Pawlikowski’s striking miniature on author Thomas Mann’s return to Germany after the war in 1949 hums with emotion and insight.
Jeanie Finlay turns to the beaches of Teesside for her tenth documentary feature on the decimation of a local fishing industry and a community driven to eco-activism.
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