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Rock band performing on a rooftop, with crowd watching. Guitarist, drummer, and other musicians on stage.
Incoming

Peter Jackson will bring The Beatles’ famed rooftop concert to IMAX cinemas

by Charles Bramesco

The high­light sequence of the recent Get Back doc­u­men­tary will be seen as nev­er before.
A group of musicians performing on stage, with various instruments such as guitars, drums, and microphones. The image has a warm, vintage colour palette with hints of pink and yellow.
Review

The Beatles: Get Back

by Elena Lazic

Peter Jack­son unearths and re-edits footage of the Bea­t­les’ last hur­rah, with euphor­ic and exas­per­at­ing results.

4
Anticipation
3
Enjoyment
4
In Retrospect
A band on stage performing, with drums, guitars, and other musical instruments. The image has a warm, psychedelic colour scheme with shades of pink, purple, and yellow.
Incoming

The Beatles make one last record in the Get Back documentary trailer

by Charles Bramesco

Peter Jack­son’s film unlocks a trea­sure trove of nev­er-before-seen footage of John, Paul, George, and Ringo.
Young woman with auburn hair and serious expression, in a dark environment.
In Praise Of

Why I love Kate Winslet’s performance in Heavenly Creatures

by Orla Smith

Her break­through role in Peter Jackson’s 1994 dra­ma instant­ly set the stage for her movie stardom.
Group of young men, some smiling, seated around a table with chessboard and papers.
Incoming

Peter Jackson will chronicle the Beatles’ Let It Be sessions in new documentary

by Charles Bramesco

The direc­tor will draw on over 55 hours of nev­er-before-seen footage.
Soldiers in military uniforms marching down a street in a village. Sepia-toned historical image.
Review

They Shall Not Grow Old

by Adam Woodward

Peter Jack­son marks the cen­ten­ni­al of the end of WWI with a fas­ci­nat­ing, fatal­ly flawed exer­cise in his­toric preservation.

4
Anticipation
3
Enjoyment
3
In Retrospect
Monochrome image of a mature man wearing a suit sitting at a piano, focused on the keyboard.
Film Music

Howard Shore tells the story behind his favourite film scores

by Adam Woodward

The leg­endary com­pos­er dis­cuss­es his work on Peter Jackson’s Lord of the Rings tril­o­gy and more.
Graphic image of a severely injured and bloodied person.
In Praise Of

Why Braindead remains the pinnacle of grisly practical effects

by Stephen Puddicombe

In 1992 a young Peter Jack­son cre­at­ed one of hor­ror cinema’s most grue­some and endur­ing splatterfests.