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Truth & Movies - A Little White Lies Podcast
Podcast

Cannes Special | Furiosa + George Miller

On Truth & Movies this week we dis­cuss all the goings on from the Cannes Film Fes­ti­val includ­ing Furiosa and talk to George Miller about the lat­est Mad Max Saga
Close-up of a heavily armed and armoured person aiming a large weapon in a dark, industrial setting.
Review

Furiosa: A Mad Max Saga review – Miller you absolute mad man

by Hannah Strong

George Miller fires up his war rig and roars across the Aus­tralian out­back once more, this time telling the ori­gin sto­ry of the fear­some Imper­a­tor Furiosa.

4
Anticipation
4
Enjoyment
4
In Retrospect
Collage of diverse film stills featuring people in various settings and poses, with a range of colours, moods, and visual styles.
Incoming

100 films to look forward to in 2024 – part one

by Hannah Strong, Charles Bramesco and David Jenkins

New year, new movies! We look ahead to the films com­ing our way in 2024 – includ­ing new projects from Bong Joon-ho, George Miller, Rose Glass and many more.
Two individuals, a light-skinned person and a dark-skinned person, seated together in a dimly lit room.
Review

Three Thousand Years of Longing

by Catherine Bray

Mad Max direc­tor George Miller returns to the big screen with an adap­ta­tion of mod­ern-day fable The Djinn in the Nightin­gale’s Eye.

4
Anticipation
3
Enjoyment
3
In Retrospect
Two individuals, a light-skinned person and a dark-skinned person, seated together in a dimly lit room.
Festivals

Three Thousand Years of Longing – first-look review

by Catherine Bray

George Miller returns to our screens with an ambi­tious tale of desire and mag­ic fea­tur­ing Til­da Swin­ton and Idris Elba.
Silhouette of a person wearing a US Navy uniform against a warm-toned backdrop, with a seagull visible in the distance.
Festivals

A handful of pre-announcements foretell a robust Cannes slate

by Charles Bramesco

A hand­ful of big names — Elvis! George Miller! Tom Cruise! — have been locked in pri­or to the offi­cial selection.
Man sitting in car, focused expression
In Praise Of

Fuel Injected Future: Remembering Mad Max at 40

by James Clarke

How George Miller’s 1979 debut fea­ture helped set the post-apoc­a­lyp­tic genre in motion.
Grim-faced men inside a battered vehicle, one looking out angrily, another gripping the door.
Review

Mad Max: Fury Road

by Adam Woodward

The out­er chas­sis may look bat­tered and bruised, but there’s well-oiled action per­fec­tion under the bonnet.

5
Anticipation
4
Enjoyment
4
In Retrospect