By Juan Barquin
Eli Roth's slapdash adaptation of the brash video game series is a joyless slog despite the presence of Cate Blanchett.
It's the third mock teaser from the genre homage Grindhouse to become a full-fledged film.
By Anton Bitel
Eli Roth’s latest offering is a Harry Potter-fied version of a 1950s haunted house horror.
By Elena Lazic
Eli Roth and Bruce Willis combine forces for a frustratingly bland remake of Michael Winner’s vigilante classic.
The film’s glamorisation of vigilante justice resonated with an increasingly paranoid audience in 1974.
By Henry Heffer
Unless you’re an Eli Roth completist, avoid this remake of the 2002 parasitic horror like the plague.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
