by Leila Latif
Boots Riley’s riotous anti-capitalist caper is a technicolour fantasia brimming with scathing social commentary.
by Katherine McLaughlin
Olivia Colman finds her romantic ideal in Alexander Skarsgård’s literal wicker man in Alex Huston Fischer and Eleanor Wilson’s entertaining, saucy fable.
by David Jenkins
Taika Waititi funnies up Kazuo Ishiguro’s beloved 2021 novel about the life of an inquisitive android and dispenses with much of its profundity in the process.
by Hannah Strong
Tom Cruise hams it up as an oil-drilling oligarch in Alejandro González Iñárritu’s overstuffed satire.
by Savina Petkova
Molly Manners’s witty coming-of-age tale follows two schoolgirls who turn falling in love with their Geography teacher into a summer project.
Saoirse Ronan excels as a burnt-out primary school teacher in this unhinged satire that’s as funny as it is unsettling.
Olivier Nakache and Éric Toledano deliver a glossy, good-natured portrait of family dysfunction in 1980s France.
Kent Jones’ latest stars Willem Dafoe as a forgotten poet drawn back into New York’s art scene by a young fan.
by Marina Ashioti
Gregg Araki returns after over a decade away with a defiantly horny rebuttal to puriteen culture starring Olivia Wilde and Cooper Hoffman.
by Blake Simons
Louise Weard’s sprawling trans anthology gets its most accessible entry yet with Chapter iii.ii, a bracingly honest, handheld study of a fractured relationship.
Pedro Almodóvar is on a career-best streak, and this self-lacerating study of a filmmaker mining her friends‘ heartbreak for art is another triumph in his late-period run.
by Patrick Sproull
It wouldn’t be a bad thing if this was the last piece of Drag Race media you ever see.
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