Bertrand Bonello

The seven best films from the 51st Cannes Directors’ Fortnight

By Ed Frankl

Melina León’s Song Without a Name and Robert Eggers’ The Lighthouse were among our highlights of this year’s Quinzaine.

Zombi Child – first look review

By Ella Kemp

Teenage heartache and Haitian voodoo culture come to the fore in Bertrand Bonello’s spiritual folk horror.

60 films to look forward to in 2019 – part 1

By Rory Marsh

The ninth film by Quentin Tarantino and a Leos Carax musical are among our hot tips for the year ahead.

Nocturama – first look review

By Manuela Lazic

Bertrand Bonello stuns with this coolly exacting, lightly experimental take on the impulse modern terrorism.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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