Alice Winocour

Alice Winocour: ‘Post-traumatic memory is something very specific’

By Hannah Strong

The French filmmaker on the nuances of recreating a real-life terrorist attack in her reflective new film, Paris Memories.

Paris Memories review – a poignant mediation on personal trauma

By Hannah Strong

Alice Winocour draws on her brother’s experiences of the 2015 Bataclan attack to create a drama about recovering from trauma.

review

Paris Memories – first-look review

By Hannah Strong

Alice Winocour draws on her brother’s experiences of the 2015 Bataclan attack to create a drama about recovering from trauma.

Mark Jenkin and Mia Hansen-Løve will unveil new films at the 54th Directors’ Fortnight

By David Jenkins

They’ll be joined by fellow luminaries Alex Garland and Pietro Marcello when the Quinzaine returns to Cannes next month.

Proxima

By Katie Goh

Director Alice Winocour and star Eva Green deliver a moving addition to the parent-in-space genre.

review

Why Proxima is a giant leap for motherhood on screen

By Emily Maskell

Eva Green’s astronaut explores uncharted territory in more ways than one in Alice Winocour’s space drama.

Female directors open and close the 2020 Glasgow Film Festival

By David Jenkins

Alice Winocour’s Proxima and Coky Giedroyc’s How to Build a Girl are among the highlights of the 16th GFF.

Proxima – first look review

By Katie Goh

Eva Green is an astronaut preparing to leave her young daughter for a year-long mission in Alice Winocour's emotional fourth feature.

TIFF reveals eclectic Platform Competition line-up for 2019

By Charles Bramesco

The festival’s sidebar includes new films from Julie Delpy and Sarah Gavron, plus Riz Ahmed as a heavy metal drummer.

25 films we’d like to see at the 2019 Cannes Film Festival

By Adam Woodward

Could these be the directors vying for this year’s Palme d’Or?

How Mustang evokes the coming-of-age melancholy of The Virgin Suicides

By Katherine McLaughlin

Sofia Coppola and Deniz Gamze Ergüven’s films speak of innocence lost and the trials of young womanhood.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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