by Hannah Strong
With Primetime, the non-fiction specialist switches to drama for a discomforting exploration of a lurid US TV sensation.
by David Jenkins
The Korean maestro returns with a sumptuous survey of class, capitalism and what it means to love someone in Possible Love.
by Marina Ashioti
Imitation, gender and Joanna Hogg fandom are key inspirations for the restless writer/director/artist behind the absurdist comedy By Design.
by Simon Bland
With the first ever digital release of The Raccoons’ iconic long lost soundtrack, a ‘fauxstalgia’ for the Canadian cult kids show has curiously made the UK the series’ strongest fanbase.
The Spanish maestro is in confessional mode with his stirring and self-reflexive latest, Bitter Christmas.
The co-lead of Teenage Sex and Death at Camp Miasma lays out her vision of a cinema that is provocative, joyful and kind.
A conversation with the Pope of Trash following new restorations of the upbeat/downbeat duo, Hairspray and Desperate Living.
by Katherine McLaughlin
Disruption and provocation were key motives behind the decision to make Rosebush Pruning, a new, sick treatise on family.
by Natalie Marlin
For a quarter of a century, Johnny Knoxville has mined low-brow gold from the prank genre. The mellowed madman talks about hanging up his crash helmet with Jackass: Best and Last.
The writer/director of Blue Heron on how the nostalgic power of cinema can create poetic chronicles of the past.
by Sophie Monks Kaufman
Fish-gutting lessons, seasickness and Cornish notions of home play into the writer/director’s superlative third feature.
by Claire Biddles
Meeting the compositional maestro behind the complex web of sounds and rhythms in Mona Fastvold’s The Testament of Ann Lee.
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