by Leila Latif
Location scout extraordinaire, Lori Balton, tells us about the shifting nature of her globe-trotting craft.
by Jonathan Wells
Cinema has spent 120 years trying to crack the Cyclops. Christopher Nolan finally found the answer – and it was staring everyone in the face.
by Mark Asch
Steven Soderbergh’s latest film focuses on a revered artist – the painter and production designer tasked with creating his fictional oeuvre reveal their secrets.
by Henry Bulmer
Project Hail Mary is the latest film to employ the art of puppetry to bring an alien to life.
by Desirae Embree
Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
by Gabie McFadden
Gaffer Jon Haney is responsible for literally lighting up the screen – what does that mean in the digital age?
by Paul Weedon
The French electronic duo were the musical backbone behind Sofia Coppola’s startling debut. A 25th anniversary reissue saw them reconstructing much of their work from scratch.
by Emily Maskell
Casting director Lucy Pardee lifts the lid on her latest project, Lollipop, and working in the casting industry.
Synonymous with film scoring for over four decades, Abbey Road Studios’ legendary Studio One has just undergone a refurb. But what actually goes on behind closed doors?
by Scheenagh Harrington
Producing realistic baby bumps, placentas and prop babies, Cinebaby are working to improve the representation of maternity in film and television.
by Ralph Jones
Dan Perri, the man behind some of the film world’s most iconic credits sequences, reflects on half a century of his work.
by Melita Cameron-Wood
Alan Dean Foster, who has adapted the likes of Alien and Star Wars for the page, explains the highly specific art of transforming sci-fi epics into page-turners.
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