Quentin Tarantino Reviews and Articles | Little White Lies

Talent Quentin Tarantino

A man wearing glasses and a black suit conducting an orchestra, with his arms raised and hands gesturing expressively.
Review

Ennio

by Saskia Lloyd Gaiger

Great detail abounds in Giuseppe Tornatore’s doc­u­men­tary cel­e­brat­ing the life and work of the late film com­pos­er Ennio Morricone.

3
Anticipation
4
Enjoyment
4
In Retrospect
Smiling woman in striped top by window, sunlit with floral wallpaper.
Review

Once Upon a Time in Hollywood

by Hannah Strong

Stars and worlds col­lide as Quentin Taran­ti­no serves up his most thought­ful and per­son­al work to date.

4
Anticipation
4
Enjoyment
5
In Retrospect
Man in wide-brimmed hat and scarf, facing the camera against a dark background with snowflakes falling.
Review

The Hateful Eight

by Adam Woodward

Quentin Tarantino’s bloody, bloat­ed ensem­ble west­ern is over­shad­owed by his own inflat­ed ego.

5
Anticipation
2
Enjoyment
3
In Retrospect
Serious-looking man embracing worried-looking woman, sheltered from rain in a dark setting.
Review

Django Unchained

by Jonathan Crocker

Hate, mur­der and revenge as Quentin Taran­ti­no goes west. Well, south.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two men, one holding a knife, in a forest setting.
Review

Inglourious Basterds

by Jonathan Crocker

Quentin Tarantino’s World War Two epic is saved by one genius per­for­mance and some hot flash­es of dialogue.

3
Anticipation
3
Enjoyment
3
In Retrospect