by Sam Moore
As The Face of Another turns 60, the Japanese New Wave director’s cinematic battlegrounds of alienation, exploitation and fractured identity remain as haunting as ever.
In his collaborations with David Cronenberg, Viggo Mortensen’s characters are animated by an inability to move on.
Across the cinema of Pier Paolo Pasolini, Guillermo del Toro and Brady Corbet, the evils of fascism come to light in horrifying detail.
As WWE enters its Netflix Era, there’s an awful lot of “brand synergy” – and it’s becoming a distraction.
On the late night programming block of an American television channel a series of bleak parody shorts riff on the relationship between the internet and spectatorship.
Twenty-five years on, Steven Spielberg’s World War Two epic completely revolutionised the way Hollywood thought about depicting conflict on screen.
A decade since its release, Harmony Korine’s hedonistic vision of a fraught Floridian vacation feels like it foreshadowed plenty about contemporary pop culture.
As The Thing turns 40, its place within Carpenter’s exploration of spiritual breakdown has never felt more prescient.
As Female Prisoner 701: Scorpion turns 50, Meiko Kaji’s feminist action heroines are as thrilling to watch as ever.
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
Thirty years after it was released, the British director’s take on Virginia Woolf’s novel is a powerful study of self-identity.
Russell T Davies’ landmark AIDS drama reveals how confusion and fear gripped gay men in 1980s.
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