by Miriam Balanescu
A teenage girl comes up against the harsh realities of Romanian social care in Alina Șerban’s exuberant drama.
Louis Garrel’s charisma isn’t enough to make up for an overlaboured script in Nanni Moretti’s romantic comedy.
André is an Idiot is the latest in a line of refreshing films that tackle the taboo of death head-on.
Despite the wealth of roles showcasing women over 40 this past year, some troubling stereotypes remain the same.
From P‑Valley to Pleasure, the industry is finally starting to be shown in an authentic light.
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