by Emma Kiely
Hugh Jackman’s grizzled outlaw trades merry men for melancholy in Michael Sarnoski’s moody spin on England’s most recycled legend.
Train to Busan mastermind Yeon Sang-ho’s new zombie horror misses the mark even with a nifty hive mind gimmick.
Alexander Murphy’s empathetic documentary follows a family of Irish travellers in Tipperary whose way of life seems at odds with the world around them.
Adapted from Annie Ernaux’s acclaimed memoir, Judith Godrèche provides an affecting drama about female coming-of-age and sexual violence.
Like the Philippou Brothers, Curry Barker makes the leap from Youtube to the big screen and proves himself to be exciting new voice in horror filmmaking.
The latest Colleen Hoover book adaptation is a grim dose of misery and trauma porn punctuated by a terrible lead performance and an undeniable conservative sheen.
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