Leonardo DiCaprio feels the wrath of man in Alejandro González Iñárritu’s awesomely violent revenge western.
By Calum Marsh
A late-career dirty bomb from Martin Scorsese in this licentious and hilarious essay on greed and excess.
It may not be art and it certainly isn’t truth. But Inception fulfils one of the basic tenets of cinema: it takes the breath away.
Martin Scorsese’s latest is little more than a frustrating cobwebbed box of tricks and twists.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
