Scene Focus

Adolescent innocence in A Brighter Summer Day

By Adam Cook

Jeff Nichols’ Midnight Special got us thinking about Edward Yang’s early ’90s romantic comedy.

War and madness in Akira Kurosawa’s Ran

By Adam Cook

Revisit a haunting scene from the Japanese director’s 1985 epic before it returns to cinemas this month.

Fantasy and witchcraft in Rob Zombie’s The Lords of Salem

By Adam Cook

Before you see Robert Eggers’ The Witch, take a hallucinatory trip through this 2012 cult horror.

Fever dreams and amour fou in Francois Truffaut’s Mississippi Mermaid

By Adam Cook

Ahead of Hitchcock/Truffaut revisit this immersive scene from the French director’s 1969 film.

Alienation and isolation in Ben Stiller’s The Cable Guy

By Adam Cook

Revisit a classic scene from the Zoolander 2 star and director’s misunderstood mid-’90s comedy.

Bonding and bank robbing in Kathryn Bigelow’s Point Break

By Adam Cook

Before you see the remake, revisit one of the most iconic scenes from this cult early ’90s crime-thriller.

Drinking and disillusionment in Hou Hsiao-Hsien’s Millennium Mambo

By Adam Cook

With The Assassin dropping into cinemas this week, Adam Cook revisits The Taiwanese director’s 2001 masterpiece.

Compassion and understanding in Silver Linings Playbook

By Adam Cook

Revisit a pivotal scene from David O Russell’s mental health drama from 2012.

Grief and catharsis in JJ Abrams’ Super 8

By Adam Cook

With The Force Awakens out this week, we revisit the Star Wars director’s wondrous 2011 blockbuster.

The haunting beauty of Terence Davies’ The Deep Blue Sea

By Adam Cook

Ahead Sunset Song’s release, Adam Cook revisits a scene from the director’s sublime wartime drama.

Vengeance and violence in Steven Spielberg’s Munich

By Adam Cook

In its deconstruction of the unending cycle of violence in the Middle East, the director’s political thriller remains as poignant as ever.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.