By Anton Bitel
George Armitage's 1990 neo-noir starring Alec Baldwin and Jennifer Jason Leigh is a chaotic game of cat and mouse.
By Anton Bitel
The horror director turns his attention to comedy and romance with his prequel version of The Munsters.
By Anton Bitel
Elio Petri's The Working Class Goes to Heaven remains a sobering portrait of life as a cog in the oppressive machine.
A new restoration of Thorold Dickinson's The Queen of Spades highlights the importance and painstaking nature of the film preservation process.
By Anton Bitel
Christmas Bloody Christmas is a Yuletide horror with a dark sense of humour and some killer robots.
By Anton Bitel
As a restoration of the 1976 remake lands on home entertainment platforms, it's a fascinating insight into the on-screen story of this iconic feature creature.
By Anton Bitel
This blood-soaked South Korean sequel picks up where The Witch: Part 1 left off, with a pair of supernatural twins causing havoc.
By Anton Bitel
Sammo Hung stars as a hapless amateur detective in Wu Ma's classic comedy caper.
By Anton Bitel
The BBC pulled off an ingenious prank with their 1992 paranormal investigation, which has proven an inspiration for the found footage boom.
By Anton Bitel
Irving Pichel and Ernest B. Schoedsack's The Most Dangerous Game still has the power to shock, 80 years after its release.
By Anton Bitel
Like its predecessors, 1992’s Police Story 3: Supercop offers plenty of thrills and spills – but with more political commentary.
By Anton Bitel
Jonathan Weiss offers an unconventional and disturbing adaptation of J.G Ballard's 'unadaptable' work of experimental fiction.
By Anton Bitel
A group of medical students push the boundary between life and death in this bombastic thriller.
By Anton Bitel
A beleaguered detective faces off against two different thieves in the Hong Kong director’s two-part crime caper.
By Anton Bitel
Ron Underwood's 1990 giant worm flick gets the ultra HD treatment care of Arrow Films.
By Anton Bitel
A group of bourgeoise friends attend the strangest dinner party in this late period Buñuel classic.
By Anton Bitel
An intergenerational matriarchy embarks on a crime spree in the late director’s 1975 action-comedy.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
