Dan Stevens is a strange visitor who ends up being a dull visitor in Adam Wingard’s underwhelming genre mash-up.
Actor and stand-up Jenny Slate shines in this romantic comedy which faces up to the realities of abortion.
Kelly Reichardt returns with an extremely cool and collected heist movie with Jesse Eisenberg and Dakota Fanning.
The sad untimely death of precocious internet maven Aaron Schwartz is the focus of this chilling doc.
If you only do one thing this year, make sure you catch this shattering masterpiece by the Dardenne brothers.
It’s unasked for sequel time (again), as Robert Rodriguez flogs the dead CG horse that is the Sin City franchise.
Who remembers the last good Luc Besson movie? Time to reset that particular clock, as he’s returned with a stormer.
David Michôd emerges from the lion’s den and leaps directly into the furnace for his brilliant second feature.
A cast of thousands coalesce for this jolly, bloodless third sortie by those irrepressible, elderly Expendables.
By Jordan Cronk
The voracious sexual appetite of Dominique Strauss-Kahn makes the basis for Abel Ferrara’s brilliant, provocative new film.
By Sophie Ivan
Hong Khaou’s debut feature is a hushed essay on coping with grief, sexuality and the cultural/generational divide.
Michel Gondry’s woozy take on an ‘unfilmable’ Boris Vian novel offers a cloudburst of astonishing visuals.
Mao! Mao! Mao! Michael Cimino invites horrific ’Nam flashbacks in his gruelling ’78 opus.
This latest instalment in the Apes franchise, about the preservation of humanity, lacks any genuine human characters.
Director Brett Ratner’s take on Zeus’ most ripped offspring is a bumbling, dizzy-headed chore.
By Nick Newman
Nicolas Cage is gifted one of his best roles in years as an ex-alcoholic who take a young drifter under his wing.
This rush-job sequel does a stirling job of consistently bungling its intriguing premise.
By Vadim Rizov
Ellar Coltrane grows up in public as the central, glorious spectacle in Richard Linklater's masterpiece.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
