Jake Gyllenhaal

Why Zodiac remains David Fincher’s most puzzling masterpiece

By Tim Cooke

The director’s true-crime chiller is as tricky and compelling as ever.

Jake Gyllenhaal is starring in Jacques Audiard’s next movie

By Little White Lies

He joins Joaquin Phoenix and John C Reilly in the director’s adaptation of noir western ‘The Sisters Brothers’.

Richard Kelly says he wants to make a Donnie Darko sequel

By Dan Einav

The director apparently has unfinished business with his cult favourite from 2001.

Six great films that show the dark side of the TV industry

By Tom Bond

From Network to Nightcrawler, cinema has a long history of exposing television’s rotten core.

How Donnie Darko changed my life

By Greg Evans

Greg Evans recalls how Richard Kelly’s 2001 film exposed him to the endless possibilities of cinema.

Personal tragedy and trauma in the films of Denis Villeneuve

By William Carroll

The Canadian director’s latest, Arrival, explores intimate themes present in his earlier work.

Nocturnal Animals

By Manuela Lazic

Tom Ford’s long-awaited follow-up to A Single Man is a gorgeous, wild and wholly frustrating affair.

review

Is Life set to be just another 2001/Alien rip-off?

By Adam Woodward

Jake Gyllenhaal and Ryan Reynolds chart familiar territory in this drab-looking space thriller.

Tom Ford’s Nocturnal Animals gets a tantalising first trailer

By Little White Lies

The writer/director’s follow-up to A Single Man is a dark thriller starring Amy Adams and Jake Gyllenhaal.

The 20 best FrightFest films ever – part 2

By Anton Bitel

Find out what’s top of the pile in our gore-drenched salute to the horror cinema bonanza.

Demolition

By David Davidson

A grief-stricken Jake Gyllenhaal is the shining light in this middling drama from director Jean-Marc Vallée.

review

Watch Jake Gyllenhaal break stuff in the Demolition trailer

By Charlotte Keeys

The actor takes a mallet to his marriage in the new film from Dallas Buyers Club director Jean-Marc Vallée.

Prince of Persia: The Sands of Time

By Matt Bochenski

The problem in this empty cinema of spectacle is that there are hardly any arresting images or memorable moments.

review

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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