Irish Film

The unlikely rise of Irish-language cinema

By Eoin O'Donnell

Despite less than 2% of Ireland speaking the language on a daily basis, more and more filmmakers are showing an interest in how Gaeilge can be incorporated into cinema.

Baltimore – first-look review

By David Jenkins

Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.

The Quiet Girl – first-look review

By Alicia Haddick

A young girl discovers a life she never thought possible in the Irish countryside in Colm Bairéad’s affecting debut feature.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design