Louise Brooks is as beguiling as ever in this BFI re-issue of GW Pabst’s silent era classic.
In Westfront 1918 and Kameradschaft, the Austrian director interrogates the slippery notion of nationalism.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
