Kathryn Bigelow’s new film is part of a larger, ongoing cultural problem.
By Josh Howey
The Moonlight writer/director is set to helm the Harlem love story If Beale Street Could Talk.
John Singleton and Barry Jenkins’ films understand what it means to grow up young, black and American.
The Moonlight director discusses the value of film school and finding a personal voice.
By Josh Lee
By not showing physical intimacy, Barry Jenkins allows sexuality to surface in his film in other ways.
Barry Jenkins’ Miami-set coming-of-ager echoes the visual language of Hou Hsiao-hsien’s 2001 film.
By Nick Chen
This San Fransisco-set drama from 2008 is the perfect primer for Barry Jenkins’ critically-acclaimed latest.
Barry Jenkins’ low-key examination of black life in America is an aching romance of the very highest order.
By Matthew Eng
From Luke Cage to Moonlight, the American actor has made a vital contribution to his craft this year.
By Ewan Cameron
New films from Ava DuVernay and Spike Lee are part of the official programme’s focus on diversity.
By Elena Lazic
This remarkable return to filmmaking by director Barry Jenkins falls just a few steps short of genius.
Barry Jenkins’ new film is set to premiere at this year’s Toronto International Film Festival.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
