By Chris Blohm
Your friendly neighbourhood web-slinger returns for more of the same, albeit with much less charm.
The trailers were right for once – Alfonso Cuarón’s disaster movie set in space is one of the year’s best.
Matt Damon suits up for Neill Blomkamp’s high-tech celestial epic. But we’re left wanting more.
Lagergeddon? The hopocalypse? The bitter end? Edgar Wright and co are back for one final throw of the dice.
Guillermo del Toro’s epic homage to classic-era monster movies is a triumph of consummate design and old school romanticism.
Cumberbitches rest easy: JJ Abrams ably navigates the USS Enterprise through dark skies.
The superhero movie gets a Dickensian meta-comedy treatment care of writer/director Shane Black.
Tom Hanks and Halle Berry go all out to give the mad, multi-stranded sci-fi folly a bad name.
Meet Looper, by a country mile the most resourceful, vivacious and savage science fiction movie of 2012.
Alex Garland takes another sweep at bringing the infamous 2000AD strip to the screen. The results are sensational.
Brit Marling shines in this creepy cult sci-fi movie that has its genre cake and eats it.
Despite a few comic book movie trappings, The Amazing Spider-Man is a major success story.
Ridley Scott’s sci-fi saga is an overreaching folly that’s well worth seeing on the biggest screen possible.
Not only does Chronicle herald the coming of age of Generation I, it also won’t give you a headache.
Another Earth is original, intelligent and eccentric – a true American indie that deserves to be admired and supported.
By Ashley Clark
While the characterisation is thin and delivered in broad strokes, by the time havoc breaks loose it’s unlikely you’ll care too much.