A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet's compelling courtroom drama.
The barroom love-tester is God in this gentle sci-fi comedy with Riz Ahmed and Jessie Buckley as working stiffs at a scientific institute for love.
A group of teenage girls embark on a wild post-exam holiday in Molly Manning Walker's evocative feature debut.
Carol Morley constructs a creative tribute to the artist Audrey Amiss, who created thousands of artworks but remained mostly unknown until her death in 2013.
This twisted tale of gender politics based on Kristen Roupenian's 2017 short story is a major letdown in conception and execution.
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
Helen Mirren dons heavy prosthetics as one-time Israeli prime minister Golda Mair in this drab geopolitical retelling of the 1973 Yom Kippur War.
Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.
Alden Ehrenreich and Phoebe Dynevor play a young couple clawing their way up the corporate ladder in Chloe Domont's dour thriller.
Music video mainstay Grant Singer makes the leap to features with this real estate-based detective thriller, but the results are disappointingly underwhelming.
By Leila Latif
Gareth Edwards serves up a visually ambitious story of war between humans and A.I. beings in this heartfelt sci-fi spectacle.
Clement Virgo adapts David Chariandy’s 2017 eponymous novel about the complex bond between two Jamaican-Canadian brothers.
By Mark Asch
In what could be his final film, Ken Loach fixes his gaze on a pub landlord in a town reckoning with a new population of Syrian refugees.
Romanian director Cristian Mungiu returns with a superb social realist western with its finger on the erratic pulse of Europe.
An ageing gunslinger and the sheriff of a small town reunite after many years in Pedro Almodóvar's sweet short film.
Babak Jalali’s intimate dramedy strikes a delicate balance between melancholy and wryness in its reflection on the migrant experience.
By Xuanlin Tham
Koji Fukuda's ninth feature fails to meet the mark when it comes to exploring the knotty topic of familial grief.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
