Drama

Femme review – an uninhibited, spikey portrait of revenge

By Emily Maskell

After being the victim of a violent homophobic attack, a young drag performer sees an opportunity to get revenge on one of his tormentors.

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Eileen review – an impressively crafted noir

By Katherine McLaughlin

A shy young prison guard develops an infatuation with her workplace's new psychiatrist in William Oldroyd's twisty new thriller.

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Fallen Leaves review – the Finnish legend returns

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

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Lost In The Night review – violent drama hampered by convention

By David Jenkins

Mexican provocateur Amat Escalante makes a half-cocked bid for mainstream respectability in this intriguing tale of a young man’s torrid search for his missing mother.

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The Eternal Daughter review – double your Tilda, double your pleasure

By Catherine Bray

Tilda Swinton plays both mother and daughter in Joanna Hogg's eerie and effective exploration of parent-child relationships.

review LWLies Recommends

Saltburn review – gorgeous, lurid, shallow and frustrating

By Hannah Strong

A working-class student finds himself thrust into a new world in Emerald Fennell’s stylish but underwhelming second feature.

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The Hunger Games: The Ballad of Songbirds & Snakes – lopsided prequel

By David Jenkins

Rachel Zegler and Tom Blyth head up this serviceable franchise prequel that divebombs into ignominy and obscurity during its protracted final act.

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May December review – a frothy psychodrama with a lurid bite

By Hannah Strong

Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.

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Anatomy of a Fall review – Sandra Hüller is one of the finest to ever do it

By David Jenkins

A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet's compelling courtroom drama.

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Fingernails review – lightly effective despite a flawed premise

By David Jenkins

The barroom love-tester is God in this gentle sci-fi comedy with Riz Ahmed and Jessie Buckley as working stiffs at a scientific institute for love.

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How to Have Sex review – a striking, unsettling debut

By Hannah Strong

A group of teenage girls embark on a wild post-exam holiday in Molly Manning Walker's evocative feature debut.

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Typist Artist Pirate King review – cleverly picks apart biopic clichés

By David Jenkins

Carol Morley constructs a creative tribute to the artist Audrey Amiss, who created thousands of artworks but remained mostly unknown until her death in 2013.

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Cat Person review – sorry, I’m allergic

By Hannah Strong

This twisted tale of gender politics based on Kristen Roupenian's 2017 short story is a major letdown in conception and execution.

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Killers of the Flower Moon review – Scorsese’s prestige epic

By David Jenkins

Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.

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Golda – a smokey, talky historical biopic

By David Jenkins

Helen Mirren dons heavy prosthetics as one-time Israeli prime minister Golda Mair in this drab geopolitical retelling of the 1973 Yom Kippur War.

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BlackBerry review – Glenn Howerton is on top form

By Hannah Strong

Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.

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Fair Play review – disappointingly generic corporate drama

By Hannah Strong

Alden Ehrenreich and Phoebe Dynevor play a young couple clawing their way up the corporate ladder in Chloe Domont's dour thriller.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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