A tailor and his assistant become caught up in organised crime in Graham Moore’s compelling drama.
Robert Pattinson’s grunge prince vows to wash the scum off Gotham’s streets in Matt Reeves’ noirish detective thriller.
Kenneth Branagh directs and stars in a second Agatha Christie adaptation, but we’d rather he hadn’t.
By Mark Asch
Kirill Serebrennikov presents a fascinating, intense portrait of a comic book artist who suffers from a strange illness.
By Mark Asch
Sean Penn’s directorial follow-up to The Last Face is a blatantly self-indulgent vanity project full of tiring clichés.
The final film by the great Benny Chan is a glorious throwback to the golden days of Hong Kong action flicks.
Michael Myers runs amok once more in director David Gordon Green’s strangely lacklustre slasher sequel.
Tony Soprano’s teenage years take centre stage in Alan Taylor’s prequel to the legendary television series.
Morality, justice and the limits of the law are explored in this clichéd adaptation of Ferdinand von Schirach’s bestselling novel.
By Lou Thomas
This slick crime-thriller sees civil unrest spill over on the streets of Copenhagen as the boys in blue lose control.
Sidse Babett Knudsen excels in this claustrophobic crime drama from first-time director Jeanette Nordahl.
Matt Damon fights for his daughter’s freedom in Tom McCarthy’s turgid drama based on the murder of Meredith Kercher.
Taylour Paige and Riley Keough star in a wild Floridian road trip movie based on an iconic Twitter thread.
Vin Diesel and his family kick it up a gear as they face off against old faces in Justin Lin's return to the high octane franchise.
By Lou Thomas
Bob Odenkirk turns action hero in this effective beat ’em up from John Wick writer Derek Kolstad.
This procedural thriller reboot of the Saw franchise is painful to sit through for all the wrong reasons.
Joe Wright serves up a tepid slice of Hitchcockian suspense, with Amy Adams as a paranoid agoraphobe.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
