There’s shades of early Steven Spielberg and The Twilight Zone in Andrew Patterson’s debut feature.
By Katie Goh
This Changes Everything asks why things aren’t improving for women in the film industry.
By Katie Goh
Four school friends hit the Scottish Highlands in first-time writer/director Ninian Doff’s offbeat adventure.
This year’s Transylvania International Film Festival showcased a wealth of homegrown talent.
By Katie Goh
The musician-turned-filmmaker explores the history of the genre in her insightful debut, Romantic Comedy.
By Ed Frankl
Melina León’s Song Without a Name and Robert Eggers’ The Lighthouse were among our highlights of this year’s Quinzaine.
Palestinian filmmaker Elia Suleiman hits the road, but home follows close behind.
The South Korean director’s social satire takes top honours among a mixed bag of winners at this year’s festival.
Adèle Exarchopoulos and Virginie Efira star in this trite psychodrama from writer/director Justine Triet.
A welcome dose of crooked cops and violent crims spices up the dying days of the 2019 Cannes Film Festival.
Dino Buzzati’s 1945 children’s novel is transformed into a wonderful animated allegory.
By Ella Kemp
Gael García Bernal directs this sorry parable about a pair of criminalised teenage clowns.
Xavier Dolan returns to his Québécois roots in this soulful ballad about male friendship and unspoken desire.
Bong Joon-ho is back with a dark, spiky and hilarious social satire about the seductive nature of greed.
Quentin Tarantino knocks it out of the park with this personal love letter to LA, in all its dirty sexy glory.
By Beth Webb
Bruno Dumont’s sequel to his musical portrait of a young Joan of Arc is endurance cinema at its most epic.
Isabelle Huppert gives a gentle tour de force in Ira Sachs’ existential Portuguese getaway.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
