By Sean McGeady
In horror films, tattoo scenes can represent familial trauma and gendered violence. The new Evil Dead gets under the skin with both.
By Sean McGeady
60 years since its release, this strange quasi-monster flick is a reminder of cinema before the IP wars began in earnest.
By Sean McGeady
Michael Flatley's spy thriller is the latest in a grand tradition of vanity projects which are memorable for all the wrong reasons.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
