Craig Roberts’ second feature, about a woman copying with schizophrenia, allows us to share its protagonist’s experience.
As cinemas in the UK prepare to reopen, Matthew Mulcahy reflects on his formative experiences of watching films on the big screen.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
