Julianne Moore and Ellen Page can’t salvage this tame dramatisation of a momentous civil rights case study.
Woody Allen follows up the biggest hit of his career with an exercise in smug mediocrity.
By Anton Bitel
You won’t see a masked vigilante movie more morally responsible or edgy this side of The Dark Knight.
It may not be art and it certainly isn’t truth. But Inception fulfils one of the basic tenets of cinema: it takes the breath away.