Joe Wright serves up a tepid slice of Hitchcockian suspense, with Amy Adams as a paranoid agoraphobe.
Despite strong performances from Amy Adams and Glenn Close, this misjudged melodrama is an insult to those it claims to represent.
Adam McKay’s played-for-laughs portrait of former VP Dick Cheney strays into Bond villain parody.
Tom Ford’s long-awaited follow-up to A Single Man is a gorgeous, wild and wholly frustrating affair.
Tim Burton misses subtextual tricks in this colourful biopic of American kitsch artist, Margaret Keane.
Zack Snyder aspires to something greater with this maxed-out comic book epic, but lays it on a little too thick.
By Kevin Maher
A formulaic boxing movie made utterly compelling by one of the most committed actors in the business.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
