Tribeca Film Festival

The Public Image is Rotten – first look review

By Ed Gibbs

John Lydon’s post-Sex Pistols career is examined in this intimate doc that proves as frustrating as it is fascinating.

The Endless – first look review

By Anton Bitel

Directors Justin Benson and Aaron Moorhead serve up a meta meditation on cults in this smart genre-blurring thriller.

King Cobra – first look review

By Ed Gibbs

This darkly comic factual drama hits all the right notes thanks to inspired turns from Christian Slater and James Franco.

All We Had – first look review

By Ed Gibbs

Katie Holmes puts in a memorable shift as a struggling single mom in her impressive directorial debut.

Adult Life Skills – first look review

By Sophie Monks Kaufman

Rachel Tunnard’s impressive debut feature takes a lighter look at the stresses of modern living.

Why the Tribeca Film Festival was right to pull Vaxxed

By Chris Barsanti

Serious question marks remain over the agenda of Andrew Wakefield’s anti-vaccination documentary.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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