Another day, another delicate, insightful gem from Korean director Hong Sang-soo.
A nasty case of dramatic inertia blights Yorgos Lanthimos’ latest black comedy.
This delicate parting shot from the great Abbas Kiarostami is a wistful contemplation on the nature of the moving image.
A shot of pure cinematic joy from Tangerine director Sean Baker – and a big highlight of the 2017 Cannes Film Festival.
By Matt Hoffman
Kristen Stewart presents her visually arresting directorial debut at the 2017 Cannes Film Festival.
Adam Sandler delivers one of his rare affecting turns as one of the co-leads in Noah Baumbach’s family comedy.
The new film by Michael Haneke is not happy and doesn’t have an ending. Other than that, it’s harrowing business as usual.
A light but ultimately unnecessary recreation of Jean-Luc Godard’s late ’60s from director Michel Hazanavicius.
Robin Campillo’s rousing dramatisation of ’90s AIDS activism in France is a sure-fire Palme d’Or contender.
This barbed satire of art world pomposity questions the core beliefs of civilised society.
Another quietly astounding monochrome miniature on love and other demons from the great French director Philippe Garrel.
Agnès Varda douses the French landscape with art with the help of her new friend JR in this wonderfully eccentric road movie.
The art of flirting and flirting as art are the subjects of this extraordinary romcom from Claire Denis.
A sultry and sensational performance from Jeanne Balibar fuels Mathieu Amalric’s experimental music biopic.
Meat is murder in Bong Joon-ho’s rollicking fantasy satire about a girl and her pet pig taking on global capitalism.
Christ returns to Earth in the form of a Syrian refugee in Kornél Mundruczó’s overblown B-movie.
Todd Haynes returns with a kid-friendly follow-up to Carol whose parts are more interesting than the sum total.