Cannes Film Festival

May December – first-look review

By Hannah Strong

Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.

The Breaking Ice – first-look review

By Sophie Monks Kaufman

Three young adults navigate the intricacies of romance in a snowy city in Northern China in Anthony Chen's latest drama.

The Book of Solutions – first-look review

By Mark Asch

A filmmaker in crisis finds inspiration in the mountains in Michel Gondry's first film in eight years.

Four Daughters – first-look review

By Rafa Sales Ross

The latest documentary from Tunisian director Kaouther Ben Hania centers a quartet of young women whose lived are changed forever when two of them join ISIS.

Along Came Love – first-look review

By Sophie Monks Kaufman

Sprawling and poetic French period drama powered by an understated chemistry between Anaïs Demoustier and Vincent Lacoste.

Killers of the Flower Moon – first-look review

By David Jenkins

Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.

The Zone of Interest – first-look review

By Hannah Strong

Jonathan Glazer returns with his first film in nine years – an austere, chilling depiction of a German family maintaining normalcy in close proximity to the Holocaust.

Pictures of Ghosts – first-look review

By David Jenkins

Brazil’s Kleber Mendonça Filho returns with this extremely charming personal survey of the grand picture palaces of Recife.

About Dry Grasses – first-look review

By David Jenkins

More verbose magnificence from Turkey’s Nuri Bilge Ceylan, who makes three-and-half hours whiz by with this comic portrait of an untreatable misanthrope.

The New Boy – first-look review

By Charles Bramesco

Warwick Thornton’s spiritually-inclined Outback drama sees a nameless aboriginal boy face off against Cate Blanchett’s anxiety-prone nun.

Lost in the Night – first-look review

By David Jenkins

Mexican provocateur Amat Escalante makes a half-cocked bid for mainstream respectability in this intriguing tale of a young man’s torrid search for his missing mother.

Youth – first-look review

By Caitlin Quinlan

The Chinese master of slow cinema covers life in some of the country's 18,000 garment factories in this sprawling but focused documentary.

The Animal Kingdom – first-look review

By Sophie Monks Kaufman

Thomas Cailley presents a highly original sci-fi film that serves as an empathetic parable for real life intolerance of physical and neurological otherness.

How to Have Sex – first-look review

By Hannah Strong

A group of teenage girls embark on a wild post-exam holiday in Molly Manning Walker's evocative feature debut.

Indiana Jones and the Dial of Destiny – first-look review

By David Jenkins

It’s an improvement on the execrable Crystal Skull, but James Mangold’s exhumation of the Spielberg adventure serial is both tame and unnecessary.

The Delinquents – first-look review

By David Jenkins

This deadpan philosophical crime caper from Argentina's Rodrigo Moreno is a meandering and hilarious delight from end to end.

The Sweet East – first-look review

By Charles Bramesco

Talia Ryder stars as a high school student who becomes embroiled in various precarious situations on the east coast of America in Sean Price Williams' feature debut.

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design