Wes Craven

Discover the co-ed carving thrills of this classic ’80s slasher

By Anton Bitel

Shot in a real abandoned asylum, Richard Friedman’s gore-fest shows a subgenre in microcosm.

10 things to see at the Edinburgh International Film Festival 2018

By Hannah Woodhead

Brie Larson’s directorial debut and a special focus on American female filmmakers are among the highlights of the 72nd EIFF.

Discover this shocking precursor to A Nightmare on Elm Street

By Anton Bitel

JS Cardone’s The Slayer also centres around a vindictive bogeyman.

The 100 best films of the 1990s: 75-51

By Little White Lies

Paul Thomas Anderson, Quentin Tarantino and Pedro Almodóvar make the cut in this part of our ’90s ranking.

Have we become the audience in Wes Craven’s New Nightmare?

By Thomas Hobbs

The director’s satirical 1994 horror explores what happens when society embraces its worst monsters.

How Scream became the prom queen of slasher horror

By Adam White

Wes Craven’s seminal 1996 film occupies a uniquely female space.

Discover the grotesque silliness of this Super 8 splatterfest

By Anton Bitel

JR Bookwalter’s Evil Dead-inspired feature debut The Dead Next Door is now available on DVD.

Thanks Wes Craven for one of the most haunting images of my youth

By David Jenkins

The sudden passing of the horror maestro reminds us that the fear he produced transcended the screen.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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