Sam Neill

Jurassic World: Dominion

By Leila Latif

The return of some familiar faces can’t save this dire dino flick from feeling like a cynical cash grab.

review

How Gillian Armstrong feminised Australian Cinema

By Laura Venning

In 1979, the first Australian film directed by a woman since the silent era signalled a new dawn for female authorship.

The Piano (1993)

By Hannah Strong

Jane Campion’s achingly beautiful Palme d’Or-winning masterpiece receives a rerelease to celebrate its 25th anniversary.

review LWLies Recommends

Tommy’s Honour

By Courteney Tan

A featherlight look at one of the pioneers of golf in this quaint, undemanding sport-themed biography.

review

Could you design a Hunt for the Wilderpeople wanted poster?

By Little White Lies

Kick off 2017 by getting your artistic juices flowing with our latest creative brief.

Taika Waititi: ‘I often fantasise about stopping making films’

By Poppy Doran

The Kiwi writer/director talks poking fun at his homeland and why he won’t be making movies forever.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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