Lost scenes from the director’s ill-fated second feature are being reconstructed with animation.
Our resident cartoonist offers his take on the creation of one of most notorious screenplays ever written.
From Citizen Kane to The Other Side of the Wind, we survey the directorial canon of a cinematic titan.
David Fincher makes a spectacular return to feature filmmaking with this melancholy monochrome marvel.
The man behind the man behind Citizen Kane is the subject of David Fincher’s sparkling paean to classic Hollywood.
By Adam Scovell
Retracing the steps of one of film noir’s most iconic characters through the Austrian capital.
By Adam Scovell
The director’s final picture for RKO suffered from severe cuts, but still retains his golden touch.
Our annual countdown of the movies that made the biggest impression on us this year, from Hereditary to The House That Jack Built.
Mark Cousins returns with an essay feature on the doodles and draftsmanship of Orson Welles.
Barry Jenkins, Damien Chazelle and Yorgos Lanthimos all look like early contenders for major awards.
By Adam Scovell
Revisiting the iconic director’s work every 10 years, from Too Much Johnson to Touch of Evil.
From Paul Thomas Anderson’s beef with Burt Reynolds to Peter Sellers and Orson Welles’ legendary spat.
We’ve delved into the archives to find out which films were topping critics’ charts 50 years ago.
Come and see the maestro's final big trick on a 35mm print at the ICA cinema with MUBI and Little White Lies.
The Lady from Shanghai is a prime example of the legendary filmmaker’s complicated genius.
By Chris Owen
His withering letter to studio bosses is a filmmaking bible for our times.
By Jack Godwin
The Other Side of the Wind is finally being completed and could be available to stream this year.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
