Orson Welles

How Orson Welles subverted the film noir genre

By Stephen Puddicombe

The Lady from Shanghai is a prime example of the legendary filmmaker’s complicated genius.

This 58-page Orson Welles memo should be every director’s handbook

By Chris Owen

His withering letter to studio bosses is a filmmaking bible for our times.

Netflix is releasing an unfinished Orson Welles film

By Jack Godwin

The Other Side of the Wind is finally being completed and could be available to stream this year.

Why Is Paris Burning? remains one of the great anti-war epics

By Brogan Morris

Released 50 years ago, this understated and underloved drama is deserving of a reappraisal.

Why War of the Worlds is the greatest blockbuster of the 21st century

By Adam Woodward

Steven Spielberg’s alien invasion epic offers a boldly personal take on a contemporary global crisis.

Sour Grapes – first look review

By Brogan Morris

There’s notes of Orson Welles’ F for Fake in this richly intoxicating wine-based con caper.

The irresistible madness of Orson Welles’ Don Quixote

By Tom Graham

Read the remarkable story of the director’s ill-fated passion project, 400 years on from the death of Miguel de Cervantes.

Famous directors who fell in love with Ireland

By Matt Thrift

The story of how a trio of legendary filmmakers became entranced by the Emerald Isle.

F for Fake (1973)

By David Jenkins

For his final trick, Orson Welles will deliver a fruity, funny film essay. And astonishing it is too!

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, LWLies has been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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