Martin Scorsese

Glasgow Film Festival announces A-grade line-up

By David Jenkins

A grand banquet of film has been laid out for the festival's 20th anniversary edition.

The 30 best films of 2023

By Little White Lies

As we wave goodbye to another year at the movies, we reflect on the films that have stayed with us – from the plastic fantastic to tense courtroom dramas.

Martin Scorsese: ‘What is it about us as human beings that allows for us to be so compartmentalised?’

By Christina Newland

Speaking at the global press conference for Killers of the Flower Moon, Martin Scorsese provides insights into his research process and use of music, as well as discovering Lily Gladstone via Kelly Reichardt's Certain Women.

A brief history of America according to Martin Scorsese

By Paul Risker

Across seven decades, Martin Scorsese has been constructing his own vision of the United States' bloodstained mythology.

Killers of the Flower Moon review – Scorsese’s prestige epic

By David Jenkins

Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.

review

Thelma Schoonmaker: ‘Powell left a little furnace burning inside of me’

By Lillian Crawford

Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.

Ex-Husbands – first-look review

By David Jenkins

Amiable American comedy of dented male egos in which Griffin Dunne’s recent divorcee accidentally crashes his son's bachelor party.

How dyslexia helps some of the biggest filmmakers to think differently

By Louise Conway

Recent studies have shown how people with dyslexia have enhanced abilities in originality, creativity, and reasoning. Could it be that movies can provide the perfect place to focus on the strengths of this different way of thinking?

Killers of the Flower Moon – first-look review

By David Jenkins

Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.

Martin Scorsese, Jonathan Glazer, and Wes Anderson lead the 2023 Cannes Film Festival lineup

By Charles Bramesco

The Competition selection also includes new works from Catherine Breillat and Todd Haynes.

Croisette wishes: 20 films we’d like to see at Cannes in 2023

By Charles Bramesco

Martin Scorsese, Wes Anderson, and Pedro Almodóvar number among the heavy hitters expected on the red carpet.

Roger Deakins: ‘With film, I used to be the first person to see a performance’

By Iana Murray

The veteran cinematographer on his explosive formative cinema experiences and shooting Sam Mendes’s moving drama, Empire of Light.

Personality Crisis: One Night Only — first-look review

By Charles Bramesco

New York Dolls frontman David Johansen takes the stage in Martin Scorsese's latest music doc.

50 films to look forward to for the rest of 2022

By Hannah Strong

Halfway through the year, we offer up 50 upcoming movies to keep on your radar.

Martin Scorsese will narrate a documentary extolling Powell and Pressburger’s genius

By Charles Bramesco

The directorial duo known as The Archers gave the world resplendent visions of fantasy like Black Narcissus and The Red Shoes.

Martin Scorsese’s Film Foundation is launching a virtual screening room for classic films

By Charles Bramesco

The new service will be free to all, showing choice cuts from Fellini, Huston, and many others.

Martin Scorsese and Jonah Hill will team up on a Jerry Garcia biopic

By Charles Bramesco

The portrait of the Grateful Dead frontman will be Scorsese's next directing gig after Killers of the Flower Moon.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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