John Carpenter

David Gordon Green’s Halloween gets a spooky first trailer

By Hannah Woodhead

Michael Myers is back to terrorise Jamie Lee Curtis in the sequel to John Carpenter’s horror classic.

Discover this yuletide slasher that inspired John Carpenter’s Halloween

By Anton Bitel

Black Christmas contains one of the earliest examples of the ‘final girl’ trope in horror cinema.

Halloween III: Why Season of the Witch is the most daring film in the franchise

By Padraig Cotter

With a pinch of Hammer Horror and a dollop of ’80s gore, this meta horror is the boldest in the series.

How John Carpenter’s The Thing became a horror/sci-fi classic

By Anton Bitel

The director’s newly-restored 1982 film continues to stand the test of time.

Why John Carpenter’s They Live feels more relevant than ever

By Bryan Hempel

This cult classic tackles issues which have become of increasing importance since its release in 1988.

John Carpenter’s The Thing is being turned into a board game

By Amy Bowker

It’s the Antarctic alien thriller adaptation we didn’t know we needed.

The Void

By Ian Mantgani

Jeremy Gillespie and Steven Kostanski’s cosmic horror-thriller fails to live up to its initial promise.

review

Escape from New York is being remade by Robert Rodriguez

By Jack Godwin

John Carpenter’s classic sci-fi is being rebooted – but who will play eye-patched antihero Snake Plissken?

Kleber Mendonça Filho: ‘John Carpenter is always a reference point for me’

By David Jenkins

The brilliant Brazilian director of Aquarius talks about why he keeps coming back to Assault on Precinct 13.

Ennio Morricone’s The Thing score is being reissued on vinyl

By Tom Williams

The classic original score to John Carpenter’s 1982 film is being released via Waxwork Records.

Why Christine contains horror cinema’s greatest femme fatale

By Martyn Conterio

The title character in John Carpenter’s 1983 film is a memorably monstrous movie seductress.

Perfect Imitation – The spreading influence of John Carpenter

By Padraig Cotter

He may be all but retired from feature filmmaking, but traces of the genre director’s legacy can be found everywhere.

John Carpenter: ‘A lot of purists want to go back to using film, but you’ve got to keep moving with the times’

By Adam Woodward

The cult director talks remakes, his love of early synthesisers and why nostalgia works in mysterious ways.

Why a film about evil green goo is one of John Carpenter’s best

By Tom Watchorn

The director’s Alice Cooper-starring apocalyptic horror is among the most haunting in his entire filmography.

The New Fear – How horror cinema uncaged America’s internal monster

By Justine Smith

Justine Smith examines how movies like The House of the Devil and Lords of Salem use nostalgia to expose a fractured national identity.

Listen to the Stranger Things original series soundtrack

By Adam Woodward

The recording features music by Kyle Dixon and Michael Stein of S U R V I V E.

What are you looking for?

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design