Jean-Luc Godard

The eye-popping, pioneering history of 3D cinema

By Matt Turner

Whether cheap trick or clever gimmick, the use of stereoscopic techniques has constantly pushed the boundaries of the medium.

Redoubtable

By David Jenkins

A bold but ultimately disastrous biography of one of the leading lights of European cinematic invention.

review

Image Book – first look review

By David Jenkins

Obscure doesn’t even begin to cover the intractable delights of the latest cine-sortie from Jean-Luc Godard.

The year revolution brought the Cannes Film Festival to a halt

By Justine Smith

The events of May ’68 had a profound impact on the film world.

The Cannes Film Festival just announced its most diverse line-up ever

By David Jenkins

Jean-Luc Godard, Spike Lee and Alice Rohrwacher are set to compete for this year’s Palme d’Or.

Jean-Luc Godard and Jean-Pierre Gorin’s forgotten cine revolution

By Little White Lies

Read an exclusive extract of a long-lost conversation between these innovative French filmmakers.

Revisiting Elevator to the Gallows and its iconic Miles Davis soundtrack

By Ned Carter Miles

Louis Malle’s debut feature is a thrilling precursor to the French New Wave.

The stories behind the best film lists of 1967

By Justine Smith

We’ve delved into the archives to find out which films were topping critics’ charts 50 years ago.

Five things to see at Cinema Rediscovered 2017

By Christina Newland

Jean-Luc Godard’s radical ’60s comedy La Chinoise is among the highlights of this year’s festival.

Le Redoutable – first look review

By David Jenkins

A light but ultimately unnecessary recreation of Jean-Luc Godard’s late ’60s from director Michel Hazanavicius.

Watch the bold trailer for Jean-Luc Godard biopic Redoubtable

By Amy Bowker

The Artist’s Michel Hazanavicius is back with a biopic about the French New Wave icon.

A “lost” Jean-Luc Godard film has turned up online

By Little White Lies

This early work from the French New Wave icon is a must-watch for cinephiles.

Why Jacques Rivette’s debut is an anti-New Wave classic

By Adam Cook

The late French master’s first film, Paris Belongs to Us, is now available courtesy of the Criterion Collection.

RIP Jacques Rivette – The filmmaker who helped me to love movies more

By David Jenkins

The French maestro has died at the age of 87, and leaves behind him an unimpeachable canon of work.

Breathless (1960)

By Laurence Boyce

Jean-Luc Godard’s masterpiece stands the test of time, still managing to feel incredibly fresh and exciting.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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